Sherlock Holmes (
could_be_dangerous) wrote in
asgardmeridiem2013-10-09 05:26 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
well you sure didn't look like you were having any fun [closed]
Who: Sherlock Holmes, Ellie
What: This must be revenge for that breaking and entering business.
When: Backdated, day 335 or so?
Where: Baldr District, House 102
House 102, Baldr District, doesn't, as a rule, receive visitors. It isn't anything to do with the house itself; it's perfectly serviceable, cozy if a bit cluttered, obviously lived-in. It isn't anything to do with its more sociable resident either. Doctor John Watson is hardly ill-liked, and certainly well-known enough amongst the local populace that by rights more feet ought to cross the threshold of House 102 than have done since its current occupants have taken up residence.
The problem, of course, if not with the house itself or with Doctor Watson must lie with the other occupant, the odd, misanthropic if not precisely reclusive housemate. Some might argue that Mr. Sherlock Holmes darkens every room he enters. Even John might, Sherlock suspects, from time to time, when they are one or the other or both of them feeling particularly uncharitable towards one another, a state which never lasts, much to the bafflement of the outside world. Their home is a microcosm, a self-contained world, safe from intruders courtesy Sherlock's odd and unfriendly demeanor -- or something to that effect; even he isn't entirely certain. The fact remains that their house may as well be haunted: the aura of him hangs over it, and neither friends nor strangers darken their doorstep. As a rule.
Rules were made to bear exceptions, Sherlock knows that very well, but even he has to admit that the violation of this particular one is surprising. If any were set in stone, carved into bloody bedrock...
And yet: a knock upon the door. A knock upon the door during clinic hours, when John is out. Most peculiar.
The mystery does resolve itself somewhat once Sherlock peers out onto the street at their -- his? -- caller, head inclined, a ridiculous eyesore, the human personification of toothache, or something similarly irksome but generally easily gotten rid of. The girl. Why the girl? People don't, they really just don't, it's probably not decent.
"What do you want?" Straight to business.
What: This must be revenge for that breaking and entering business.
When: Backdated, day 335 or so?
Where: Baldr District, House 102
House 102, Baldr District, doesn't, as a rule, receive visitors. It isn't anything to do with the house itself; it's perfectly serviceable, cozy if a bit cluttered, obviously lived-in. It isn't anything to do with its more sociable resident either. Doctor John Watson is hardly ill-liked, and certainly well-known enough amongst the local populace that by rights more feet ought to cross the threshold of House 102 than have done since its current occupants have taken up residence.
The problem, of course, if not with the house itself or with Doctor Watson must lie with the other occupant, the odd, misanthropic if not precisely reclusive housemate. Some might argue that Mr. Sherlock Holmes darkens every room he enters. Even John might, Sherlock suspects, from time to time, when they are one or the other or both of them feeling particularly uncharitable towards one another, a state which never lasts, much to the bafflement of the outside world. Their home is a microcosm, a self-contained world, safe from intruders courtesy Sherlock's odd and unfriendly demeanor -- or something to that effect; even he isn't entirely certain. The fact remains that their house may as well be haunted: the aura of him hangs over it, and neither friends nor strangers darken their doorstep. As a rule.
Rules were made to bear exceptions, Sherlock knows that very well, but even he has to admit that the violation of this particular one is surprising. If any were set in stone, carved into bloody bedrock...
And yet: a knock upon the door. A knock upon the door during clinic hours, when John is out. Most peculiar.
The mystery does resolve itself somewhat once Sherlock peers out onto the street at their -- his? -- caller, head inclined, a ridiculous eyesore, the human personification of toothache, or something similarly irksome but generally easily gotten rid of. The girl. Why the girl? People don't, they really just don't, it's probably not decent.
"What do you want?" Straight to business.
no subject
Mainly because he's kind of an idiot when it comes to staying out of trouble, she's gathered. Mainly from John.
"What, should showed up in your living room? I came to see you, dude."
no subject
"Why?" Frankly, showing up in the living room might've made more sense to him.
Still, he's moved aside to let her pass, which says enough in and of itself.
"Don't touch anything." There's still no real force behind it, as though he's really only saying it because he thinks he ought to.
no subject
"I brought you guys some oranges," she tells him, holding one out. It's a little small, but very ripe.
no subject
"He's on a bit of a vendetta against those at the moment, wouldn't want to risk it." Sherlock isn't terribly fond of them either, under the circumstances, but admitting that much would be admitting to personal investment, and admitting to that is apt to be a mess.
no subject
Ellie sets the bag down, and starts peeling another one, holding a section out to him like a peace offering.
"So who rearranged your nose?"
She twiddles her finger towards her own face.
no subject
"Wasn't too pleased with me either. Fine now." As fine as it ever will be. He looks down at the orange section in Ellie's hand in silence for a few seconds before reaching out to pluck it from her fingers. Vaguely he wonders about the propagation methods of the fungal infection on her arm. Would he risk ingesting spores? Probably not. Probably dormant. Would it really matter if he did?
If nothing else he supposes he's not keen on being punched again, but it doesn't stop him eating the fruit all the same.
no subject
"You're sure it's fine now?"
It obviously isn't, but in the unlikely case that Sherlock will talk to someone, she puts it on the table, because it's obviously bothering him.
She splits the rest of the orange with him, still watching his eyes.
no subject
"As fine as can be expected under the circumstances, yes. Digesting is bad for brainwork," he accuses, a throwaway distraction which he knows isn't going to work even as he says it. However true the statement might be, it's still too obvious.
"Don't know how you lot get anything done when you're constantly diverting blood flow from the brain like that."
no subject
"But if you start sneezing and you don't have anything to make juice with, don't come crying to me."
no subject
He takes the slice all the same, biting at it and waving his hand to usher her further into the house. Toll paid, she is now free to avail herself of any of the available seating surfaces.
"Had worse than a case of the sniffles without any citrus to tide me over, besides. Expect I'd survive."
no subject
"You'd survive, sure, but the whining-"
Oh great, Sherlock. She's started to tease you.
no subject
"'You really ought to take better care of yourself, Sherlock,'" he intones, voice raised in pitch and accent adjusted in imitation of the man in question. "'I told you you'd make yourself sick.' I told him not to eat the bloody fruit; hardly see why I have to listen if he's not going to."
no subject
"So he got a really shitty vision of the future, and that's why he's mad at you?"
She's a sharp one.
no subject
"Didn't tell him about it for a reason, anyhow, not that it's my fault." Not immediately, anyhow. He didn't ask for a madman to become obsessed with outsmarting him, or killing him, or taking everything he valued and turning it useless. It'd happened though. Sherlock Holmes had one from gold to pyrite overnight, purpose evaporating along with value; he's certain they all believed it entirely too easily, that he was a fraud, that he'd killed himself.
So much the better, really. So much the better.
no subject
Shaking her head, she sits back. It's not like she knows anything about friends. Or relationships. Or family. Or anything, really, but she can go with her gut enough to get why Sherlock's upset.
"... is he still mad?"
no subject
Am I? Yes. Obviously. Obviously he is; they both are. Sherlock's expression turns carefully neutral, before the corners of his mouth tug downwards.
"Wasn't my fault, though." He says it with quiet vehemence, because it's true. He couldn't have anticipated. Difficult enough to work out what he had, to fool them all instead of making it real.
"I didn't make me choose."
no subject
Sometimes being forced to explain something makes it make more sense. At least, that's what she's always thought. Maybe it works with feelings, too.
Shit, she's about as lost when it comes to heart-to-hearts as Sherlock must be, but pacing around an empty house like a caged tiger isn't going to help.
no subject
"Wrote. At home. About my cases. Our cases, I suppose. Attracted a rather large readership. Press..." He wrinkles his nose, rubbing at the back of his neck. "Last thing a detective needs is for people to know his face, but they did. One of John's most avid readers was a fellow by the name of James Moriarty."
Sherlock tilts his head to one side and licks his lips, clearly trying to find an angle of approach for this particular thorny problem. There really isn't one from which he isn't going to get stung, he finally decides, and so continues. "Consulting criminal. Brilliant enterprise. Need to get rid of someone? Evidence destroyed – or fabricated? Business burned down? Need to disappear? Moriarty is your man, for a price. He also liked to play games. I was a favourite playmate."
He waves a hand. Long story. "Quite clever, really. Used the press against me. I'd committed the murders. Fabricated the cases. Paid witnesses. Paid him. Just an actor. James Moriarty was just an invention of mine – that was the story. Enough fact thrown in to make it convincing. So I met him. Only way to make it stop."
To make it stop before he was arrested, before any chance of redeeming himself became available, anyway.
"I was a problem, of course. Had to be rid of me. Couldn't just kill me, too suspicious. Had to make it look like a suicide. So. He gave me a choice." The enunciation here is delicate, walking on verbal eggshells.
"I'd expected it. I had... contingencies. There was a deal, his terms, not mine: I kill myself – quite visibly, a jump from a rooftop – or his men do their work. John. Two others. Not here." He pauses, takes a breath. "A fair exchange, really. Moriarty shot himself. Nobody left to see if I decided to toy with the terms. Not from that angle. John... saw. For the best, really. Couldn't tell him. He had to believe, too risky otherwise. I did jump. Would've been a fair exchange even if I hadn't known I'd survive. That isn't my fault either."
It's what you're supposed to do, for friends. Everybody knows that.
no subject
The worst problem is, it all makes perfect sense for what she knows of Sherlock and John. She can see exactly how it'd all fit together. How there wasn't a way out.
But worse, the first thing she pictures is Joel, in that same position. Someone threatening her. No way out.
Shit, she knows exactly what he'd do. But she can see herself in John's place, think of how she'd feel, and it leads them to precisely the same result. Punching him in the face as hard as she possibly can. And fucking Joel would probably do the same thing. Insist that he was in the right, that it was the only thing to do. Expect her to get it.
Well... he's gotten better, nowadays. But back then? Yep.
"He probably doesn't think it's your fault. He probably gets it- but you scared the shit out of him. Did you say you were sorry?"
no subject
"I'm not sorry, besides; I'd do it again if I had to, properly even. No point in useless appeasements, particularly if they're not true." Never any point in it. Sherlock has never seen the appeal of polite insincerity. He'd like to think John hasn't either -- like to, but frankly he's not at all convinced.
"You didn't hear him; wouldn't have mattered what I said."
no subject
That might actually make some sense. But then again, she's known similar hard-headed old guys, and she got through to them eventually.
"Of course he'd be pissed. But here you're acting like you don't give a crap that you scared him shitless and made him think you died. He cares about you, that's why he's so angry."
Ellie gives a gusty little sigh and lifts her shoulders. "It's not doing it that you should be sorry for. You did what you had to do. But he had to think you were dead. And I bet that fucking hurt."
no subject
He doesn't know how to explain that, though. Can't find the words for how utterly ineffectual it would be. Insultingly so. "Wouldn't fix anything to say it. I wouldn't want to hear it, either; what good, exactly, would being catered to do? How is it any better? I didn't want to do any of it; I told him that which is plenty. I didn't enjoy it."
And then, when nothing matters? When there's nothing left to be done, when the best of possible choices was made? One moves on. One has to. It isn't simple, it isn't easy, it might not be entirely possible but everything else is failure. Everything else is giving in to precisely that malice which put them in this situation in the first place.
That's what it comes down to: Sherlock refuses to let James Moriarty win. He's come too far to bow to the man now.
no subject
Still, she doesn't expect it to be magically fixed, but she's not worried about them being torn apart over it. But in the meantime, Sherlock is still obviously affected by it.
"... you did do good," Ellie admits. "I mean, the whole dramatic suicide in front of your friend wasn't... yeah, but- you did save him. And stopped that psycho, too. And you didn't actually die. As long as you're alive, everything else is fixable."
no subject
It's exactly what he would've done, if he'd meant to accomplish the same end.
"I did what I ought to've done. If I asked him with hypotheticals he would've said the same; people always do." Real people. And not real ones; the ones on telly or in films or books. All this aggrandizement, and then when it happens, when it has to, he's the one who gets shouted at. As though it wasn't already difficult enough, having to jump. And the rest. All the rest that's still waiting, back home.
He eyes her in silence for a few moments, expression serious. "It's all a bit of a mess, isn't it?"
no subject
"Yeah. I mean I'm not gonna lie to you, that's a lot of stuff for one person to handle. So maybe you shouldn't handle it alone."
She takes out her switchblade, running in along the inside of her nail to get all the pulp out, then properly looks at him.
"But John's not going to be mad forever. He just needs to be mad for a while."
no subject
John Watson possibly (probably) saved his life that first case, maybe, maybe yes, but that was more serendipitous than expected, wasn't it? He knew. Sherlock knew, knew from his own paltry experience that getting involved was dangerous. That tangling himself up in anything but his own problems would end disastrously.
Maybe that's why he did it. Could be dangerous. Maybe they were both doomed from the start.
"Been trying to get rid of them for ages. People. Family; family is an awful mess, can't be bothered. Forgot people make their own. Suppose it was a miscalculation."
no subject
The arrogance of it pisses her off, too -- the way it can only piss off someone in the awkward years between child and adult, with all the heart and need to live and grow, and none of the power to control her path.
"Must just be great," she whispers. "Having so many people who care about you. Enough that you could ever think about throwing 'em away."
no subject
Which is cruel, perhaps; he can't tell. It's certainly honest. In his mind she's some kind of fortunate if it's true. Given a blank slate, not born into the sort of tangled, awful mess that he was.
Still. Still, that probably bears some elaboration. "No idea where my father is. Don't care to know. He left with the maid when I was seven. Couldn't stand having a freak for a son. Mycroft was bad enough. My brother, Mycroft. Do you know where Moriarty got that extra information about me? The bits he threw in to make his story look legitimate?"
He pauses a moment, mouth set in an unhappy line. "He knew. Mycroft knows plenty about anybody he'd like to. I couldn't escape him if I wanted, but he doesn't give enough of a toss about me not to willingly hand the people who want me dead the ammunition to accomplish it. There's my mother; I suppose she'd have cared once. Doesn't tend to seek me out though. Not in years. I am a disappointment. Brother in politics and all I do is chase madmen around."
There's something in his eyes, a bright conviction, almost fervor. "Family isn't there to care about you. It's there to hurt you, either because they're used to or because they want to. Most murder isn't random, you know. Not strangers at all. Daughters murder their mothers for the insurance money. Husbands murder their wives because they can't stand the nagging a moment longer. I met a woman who poisoned her child slowly, over years, because she enjoyed the sympathy people gave her when the girl suffered. Your poor girl -- family is an excuse to use, and the more you care about someone the more they'll use you. That's how it works."
no subject
People who'd give their life to keep someone they loved safe. To keep their family safe.
And she's seen people who couldn't go on, couldn't live with failing that promise to themselves.
She thinks of Sam and Henry, thinks of how senseless their deaths were, how much they loved each other. How hard Henry tried to keep Sam safe, and in doing so, was overbearing and controlling and even hurtful, sometimes.
She thinks of Joel, and how he's never forgotten Sarah. At how much pain her death still brings him. And she thinks of Tommy, and how much he and Joel fought, but how they still greeted each other with a smile and a hug, grateful to be alive and together again.
"You got fucked over," she finally whispers.
no subject
That most of them aren't worth investment is obvious, and the idea that those that are become that way out of simple genetic proximity is laughable.
"How? I was only born to them; it hardly means anything at all." Perfectly arbitrary, once instinct ends and the reality of human complexity sinks in.
"It doesn't matter. Supposed to, people say that, but I hardly see the point. Doesn't stop me choosing." Which, clearly, he already has done; that's the point. What is this current living arrangement if not something better than family?
no subject
"... I get that. I kind of ended up choosing, too."
Even if he's not here, she chose. Firmly. It had taken a long time for the both of them to be sure. A lot of pain. A lot of bullshit, but the world had happened.
"So that's who John is?"
no subject
It's probably futile. It's probably obvious, but he doesn't want to invite any further attempts to use John against him either.
"Would, therefore be nice if he'd stop wandering about shooting me tragic looks, as I'm going to have to live with him."
no subject
"You want me to talk to him or something?"
She's content enough to be an outlet for listening, but she'll always offer to help with moving forward, even if it's not realistic.
no subject
"Find him a girlfriend or something to shoot, those tend to cheer him up. Can't imagine why as both tend to end poorly." Maybe that is why. That would be irritating: if John is attracted, however subconsciously, to things that are bound to end poorly (and the balance of evidence is in favour of it, given the circumstances) then he's always going to have to be lobbing himself off buildings, or at least fielding the anger and the moping.
Fine. Not fine, really, but he'll do it; as long as he knows he'll get through it's only a minor nuisance. "No accounting for taste, I suppose."
no subject
Ellie shrugs her shoulders, giving Sherlock an arch look. A girlfriend, huh? There's an idea. What sort of lady does John even like? She's a bit curious, but wise enough to realize that she's going to have to deal with Sherlock as much as John.
"I guess I could give him more archery lessons. We started during the festival."